PORTFOLIO

FULLES 2021 

My best ability is to recognize my environment... earth, water, leaves....

BAILAORA & FLAMENCO SOUL 2019

Fallen projects can form new artistic strategies. Changing languages gives clarity to ideas.

BAILAORA 

Borja Altozano, Actitud, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

Not everything in Art is attitude. It takes knowledge, experience and often luck. But what would the art world be without attitude?

Borja Altozano, VOGUE, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

Vogue is the most important fashion magazine in the world. It has more than 130 years of history and every time I see it on the newsstands it forces me to look askance.

Those five letters are so overwhelmingly graphic that I couldn't help but use them in my engraving.

Borja Altozano, 8 de marzo, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

I believe that Art is a constant reflection on the now. And at this moment feminism is projected into the future... Although many idiots don't think that way. Therefore, “La Lluita conitua”.

FLAMENCO SOUL

Borja Altozano, Trainspotting, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

Header text from the 1996 film, Trainspotting. In my opinion, the summary of a generation.

The anguish of time that is upon us when all the cards are burned.

This would be the correct way to write a painting.

Borja Altozano, Ego, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

Every artist must have a very big ego. Defend your work, stand out, stand out... But be careful, the ego can make you fall into an abyss of stupidity!

Borja Altozano, Banksy o Picasso, 2019

Linograhhy and hand painted on Bristol Paper.

29x25cm

Through an internal and remote mechanism within the framework of a drawing, Banksy shredded a work at an auction. The piece finally sold for 1.18 million euros.

And Picasso already said it; “The impulse to destroy is also a creative impulse.”

ESPAÑA EN CRISIS 2010-2014

After the 2008 crisis, society enters a process of general fatigue. The future languishes as promises of recovery remain empty.

Borja Altozano, No future, 2013

Vinyl paint whit arids and material on canvas.

185x270cm

Borja Altozano, Redención, 2012

Vinyl paint and charcoal on canvas.

195x195cm

Borja Altozano, Autorretrato, 2012

Vinyl paint and material on canvas.

161x91cm

SEGUNDA SERIE NEGRA 2004 - 2007

Borja Altozano, Irak 2004-2005, 2005

Vinyl paint on canvas.

223,5x19,55cm

Borja Altozano, La vida es un suspiro, 2004

Vinyl paint with arids on canvas.

210x117cm

Borja Altozano, Barcelona ciudad, 2006

Vinyl paint with arids on canvas.

116x89cm

PRIMERA SERIE NEGRA 2002 - 2004

Borja Altozano, Gran tela negra, 2002

Vinyl paint with arids on canvas.

200x300cm